Producer Raphy Pina has responded to the lawsuit filed by Daddy Yankee against him and against Mireddys González, the artist's ex-wife.
Through his Instagram account, Pina made it clear that he will not allow his story to be twisted, proudly recalling what they both built over the years.
“Do not confuse my silence with fear, nor my peace with weakness,” he wrote at the beginning of his post, suggesting that despite the media turbulence, he remains calm and confident in his truth.
“What was built is certified,” he affirmed, in a clear allusion to the fact that his contribution to Daddy Yankee's legacy is backed by facts and not just words.
“He who has God in his heart does not destroy, does not invent, does not slander, nor does he put at risk families that have never failed him,” he expressed, before inviting Daddy Yankee himself to have a sincere dialogue with Mireddys.
“There is still time to do the right thing.”
In his text, he referred to Daddy Yankee as a legend and assured that his respect for him remains intact, although he drew a clear line between the global reggaeton icon and the person behind the artistic name.
“Daddy Yankee, the legend, will always have our respect. But Ramón Ayala is another story… the story we lived, without cameras, without social networks, and without tales,” he wrote with a nostalgic tone.
The producer also took the opportunity to defend his role in the artist's career, remembering the years of shared work, strategy, and effort.
“What was done together is documented. Do not let ego destroy what history has already given you,” he pointed out.
The document accuses Pina and Mireddys of manipulating contracts and copyright registrations for their financial benefit.
Far from responding with attacks or confrontation, Pina chose reflection.
With these words, the producer wanted to put an end to the speculations surrounding him since the controversy broke out.
Pina's message comes after the “Gasolina” interpreter filed a federal lawsuit under the RICO Act, alleging a supposed fraud scheme and the misappropriation of millions in royalties from at least fifteen songs.
